If you follow me on Instagram, you might have noticed that I have been acting a bit out of character lately, working on small paintings. In the past, I really struggled to translate the process and feeling of the large paintings into a smaller, more affordable package. I have a very particular way of working, and I just can’t seem to convince myself to paint any other way.
When a lot of painters work, they are editing out a lot of visual information. They are taking the complex real world and simplifying it, deciding what is important, and including only what is necessary to create a nice clean image. This is a great way to work. I don’t do it.
When I work, I generally take the biggest canvas, and the smallest brush I can find. I like to pack in as much information as possible. Instead of taking a complex area and simplifying it, I am taking simple things and breaking out every possible color that might possibly exist there. This is a bad way to work. It takes a long time and it just doesn’t work at anything less than large scale. I do it anyways.
The thing is, I really think it makes interesting paintings.
I want anyone who buys one of my paintings, whether they spend thousands of dollars on a large piece, or tens of dollars on a tiny one, to come home with a piece that I think is good and interesting. If someone buys one of my paintings, I want it to have the things that make a painting mine, no matter what size it may be. Because of this, I have not sent out many small paintings lately.
Recently, my friends at Sloane Merrill Gallery asked me to create a few small paintings for their December show. So, I headed into the pathetic small spare bedroom that is my current temporary studio, determined to come up with some paintings that I would be happy showing.
I think I finally found the right balance. Instead of trying to scale down my techniques, I just painted with the same intensity and scale of strokes that I would use on a large piece. In the case of these smaller pieces, there is just less of it. So, for the first time, if you like the large pieces, you should see a lot of what you like in the small ones.
I am interested to see how people respond to these pieces so, please head on over to Sloane Merrill Gallery for their 10×10 show next week (or any time in December), have a look at the pieces and let me know what you think. They will be hung along side a lot of other great pieces, including a few by my old studio-mate (from the infamous studio 11), Tony Bevilacqua. Official show details along with information about the opening reception below.
Twenty painters given the same dimensions
10×10 Inches
Opening Saturday, December 6th from 3-8pm! Artists include Carlo Russo, Jeremy Durling, Adam Vinson, Leo Mancini-Hresko, Matthew Saba, Jeremy Miranda, Tony Bevilacqua, Kyle Bartlett, Kelly Carmody, Nicholas Mancini, Margaret Langford Sweet, Brett Gamache, Andrew Fish, Michelle Arnold Paine, Nick Ward, Michael Compton, Aurélie Galois, Frank Strazzulla, and Jonathon Nix.
At Sloane Merrill Gallery, 75 Charles Street Boston, MA
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