This is a two part post, if you just want to read about my piece, head here.
I have spent a lot of time on this site saying nice things about Poets and Artists Magazine, and I am always happy to send work to the shows that they organize. What started out and one woman with a passion for the arts, has grown into an amazing community of artists, poets, curators, and gallerists. The shows always bring together an amazing range of artists. Relative newcomers (like me) hang alongside established artists, students hang alongside professors; and everyone’s work is given the respect it deserves, because it’s all damn good. Most importantly, it has given me the opportunity to meet, and share a drink or two, with a lot of great artists.
The best part about participating in these shows, is that they encourage experimentation (at least for me). This has led me to send them some of my best pieces, along with more than their fair share of flops. This time I wanted to send a piece I really felt good about, so obviously I started off on some half-baked idea with no real finishing point in site. If you have been following along, you may notice that I have not yet posted the final images of the triptych I have been working on. I think you can see where this is going. While I do feel good about that piece, I do not have any idea exactly how to finish it. Fortunately for me (and, I suppose for Sirona Fine Art), the same model had also signed on to help with one of the text message portraits, and the resulting piece is probably the best that has come from that series.
Check back later this week for a full post on that piece.
For now, here is a little more information about the show, and most importantly, images of some of the great work that will be included.
The show is called Chévere. It will hang at Sirona Fine Art in Florida, but there is also an issue of Poets and Artists Magazine, which will feature work from the show along with accompanying poems and essays. Check that out here: http://www.poetsandartists.com/store/pa77-chvere
Chévere is a group exhibition and publication showcasing works of art inspired by the Romance Languages of Latin America. Chévere’s intention is to break stereotypes. It will feature figurative, narrative, environmental, emotional, street, poetic, and history depicting works.
For anyone who happens to be headed to Miami for art fair week, the opening reception will be Saturday December 3rd from 6-9 pm At Sirona Fine Art in Hallendale.
Here is a full list of the artists (painters, poets, sculptors, photographers and essayists) involved in the exhibition, and the current issue of Poets Artists Magazine.
(I alphabetized them by first name because I have no idea how to sort by last name in Word, and seriously who can really be expected to do things right if they can’t make the computer do it for them)
Whew, that was a long one–start with Reuben Negron, or Tim Okamura, or maybe Sylvia Maier to get warmed up–then just keep clicking.
his is a two part post, if you just want to read about my piece, head here.. For those of you that are with me here in Boston, I have a local show in the works featuring these paintings, so keep your eyes open for that.
You have seen a lot about my piece for this show here, now it is time to shift gears and talk a little more about the show that inspired this new direction.
First off, let me give some credit where credit is due. The driving force behind this show, and a lot of others, is Didi Menendez of Poets & Artists magazine I know I mention her a lot on my site but, that is because she is doing a lot. She is a strong supporter of contemporary realist painting (and sculpture) and, while the work I make does not always fit neatly into that box, she always seems to find a place for me in her magazine, and the exhibitions she is involved in. Working in a style of art that could be described as unfashionable (or worse), it is often frustrating trying to find suitable places to show. I know I speak for a lot of artists when I say that her support, and the work she puts into these shows, is very appreciated. I am not sure how to really repay that, except to ask the people that enjoy my work, to support her in return. Buy an issue, visit a show, let her know that there are people out there that enjoy the fruits of her labor.
You can find more information about the magazine, including where to buy hard copies at the Poets & Artists site.
Now, about the show.
Immortality & Vulnerability is a collaborative effort between co-curators Didi Menendez and Sergio Gomez (who runs the gallery at the Zhou B Art Center, along with his own space 33 Contemporary), and the artists involved. The way they tell it, Sergio came up with the concept, As luck would have it, this meshed with a new series that Didi had been discussing with artist Nadine Robbins.
See Nadine’s explanation of this piece here.
The title Immortality and Vulnerability was given to all the invited artists about one year in advance. Artists and poets were selected from across the country to participate. Each artist and poet was asked to respond to this theme from their own point of view and with their own visual language and writing style. The ideas of Immortality and Vulnerability have been part of the human experience for millennia and have been subjects of exploration by numerous artists throughout time.
I don’t want to give too much away, because the show looks great and I want you to check out the magazine to see it all, but here are a couple more teasers:
I have a habit of over reaching in my life as an artist. Attempting paintings that are just a little bit beyond what I can possibly pull off, getting involved in projects with tight deadlines and, showing up to ask for the impossible has become common place at this point. While I have grown used to hearing the word no, most of the time these gambles find a way to miraculously pay off.
Preparing for this show was not one of those times.
A while back Didi Menendez did a nice profile of my work in her magazine, Poets & Artists. Not only did this profile lead to one of my first big sales, it has also lead to my work being included in a few of her other projects, including what has become and annual show at the Zhou B Art Center in Chicago. These shows (along with her magazine) do an amazing job of combining promising newer artists alongside bigger established names and, I am trying to work with her on a portrait show here in Boston. In other words, when she calls, I want to send her something good.
Unfortunately, something good just did not want to happen without a fight. I scaled back my original plan, then scrapped the backup plan, only to end up finishing a piece that I had nearly abandoned. In the end, all the frustration was worth it. I am happy with the finished piece and the show will, without a doubt, be great.
I think everyone has seen enough of my new piece for this show so, scroll down for the official information and a few of the early arrivals for the show from some other cool artists.
At the Zhou B Art Center in Chicago
1029 W 35th St, Chicago, IL 60609
Fixation is an exhibition and a publication of art and poetry focused on the physical or psychological preoccupation or obsession over an object or subject. Also as a focus of something that will capture our attention.
Fixation takes place in a gallery setting, print and digital formats. The exhibition is curated by Sergio Gomez of Chicago’s Zhou B Art Center and Didi Menendez of PoetsArtists Magazine.
For those of you that think I stink, but like Margaux. This video featuring a poem by Nin Andrews will be playing at the gallery. See if you can spot her.
Nin Andrews: A Glossary of Deirdres from Didi Menendez on Vimeo.