Two panels, each 30″ x 40″ – oil on panel
Two panels, each 30″ x 40″ – oil on panel
Two panels, each 30″ x 40″ – oil on panel
Two panels, each 30″ x 40″ – oil on panel
Two panels, each 30″ x 40″ – oil on panel
Two panels, each 30″ x 40″ – oil on panel
Two panels, each 30″ x 40″ – oil on panel
Two panels, each 30″ x 40″ – oil on panel
I never really envisioned that I would end up a realist painter.
If you had asked 20 year old me, “what do you think of realist paintings?” My response would have probably been something along the lines of, “what is the point of doing something worse, that I camera can do better and faster?”
But here I am, painting portraits that can really be described no other way. That is not to say that I went quietly down this path. I have spent a lot more time and energy coming up with ways to make my paintings more graphic, less realistic, than I would ever spend focusing on learning traditional technique.
Lately, I have been struggling with this. Feeling a bit lost with where to take my work, feeling somewhat frustrated with the paintings I have been putting out. Not to say that I don’t like the pieces that I have done recently, but it has been a while since I have finished a painting, stepped back and felt satisfied. It has been a while since I stepped back and said, “yeah, that’s it.”
Now I am posting a piece that I really am satisfied with. A piece that I am truly excited about. A piece that is, by far, the most realistic painting I have ever done.
I finally decided to take my own advice. To get out of my own way and let the painting decide how it needed to be rendered. Instead of forcing my ideas about what makes an interesting painting, onto pieces that those ideas do not make sense for.
Portrait From Web, Portrait From Life #1
A few weeks ago, I made a decision to start doing weekly posts on my site. Not that I think everyone is really sitting around waiting to hear what I have to say but, as an artist it is important to put thought into the work you are making and be conscious of what the decisions you make with your work are communicating (or not). Right now, I have a lot going on, and writing about it is a good way to keep myself on track, and engage with anyone who happens to take an interest.
Obviously, I have already failed.
It has been weeks since I have published a blog post so, I am going to publicly state my goal so that it becomes a bit more tangible. Before I got off track with my goal of weekly posts, I started writing a little about preparing for this show but, I never finished the piece. I think in this case, putting the post off may have been a blessing in disguise because, while I have a lot to say, this show speaks best for itself.
My last text message painting is headed down to Miami this week and, will be included in a show that opens at the end of the month and includes a reception during Art Basel week. Now, I am not someone who is against the important aspect of commerce in art but, during a week when so many exhibitions will focus primarily on commerce, I am proud that my piece will be in a show that has something to say.
Details, along with a few teasers from the show below.
Help support the event, join and share the event on Facebook:https://www.facebook.com/events/1253323308027943/
294 NW 54th Street
Little Haiti, Miami 33127 954.235.4758
Patrick Earl Hammie – “F.B.J.” – oil on linen(Miami, FL) October 2015 – Yeelen Gallery presents what’s INSIDE HER never dies…a Black Woman’s Legacy, a group exhibition curated by Karla Ferguson and in collaboration with Poets & Artists Magazine; on view through Art Basel Miami Beach week from November 30 to February 28, 2016. Bringing together a select group of like-minded artists, curators and cultural tastemakers, Yeelen celebrates the legacy and influence of the Black Woman.
“what’s INSIDE HER never dies…” will mark the three-year anniversary of Yeelen Gallery and will include a compelling body of 25 artist/activists including: Sylvia Parker Maier, Tim Okamura, Joseph Adolphe, Jerome Soimaud, and Numa Perrier. Yeelen’s annual Art Basel reception will be Saturday, December 5th from 10 pm-till attracting one of the largest constituencies of artists and influencers outside of the usual fair grounds; this gathering has become the ultimate expression of creativity during Miami Art Week.
“We are proud to pay homage to the beauty and resiliency of the Black Woman, we aim to continue to fight for her rights and equal respect,” said Karla Ferguson, gallery owner and director. The exhibit will present through portraiture, drawing, photography and installation, the beauty and the emotions of these heroines whom inspire us generation after generation.
Judith Peck – “Pulled Over” – oil and plaster on boardArtists include:
Joseph Adolphe – “Fragile” – oil on canvasYeelen Gallery – 294 NW 54th Street – Little Haiti, Miami – 954.235.4758
I feel like there is probably more than one art professor out there that is going to roll their eyes at me for this one but, I am really learning a lot about what these text message paintings should be after working a few studies. I think I still want to try one more idea before I move into the full scale pieces but, here is the latest attempt in its current state. As you can see there is a bit more blank canvas to work but, I think overall it is looking pretty solid.
I’m excited to get started on a large scale attempt but I am trying to contain myself here… I still need to find a good way to integrate the look of the traditional portrait so that will make sense hanging next to this glitched looking image so, the next attempt may have to be a half scale attempt at the full diptych. Overall, I think that once I work out the bugs, this is going to be a really interesting series of paintings.